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Meet Nicky Gluch

2018/19 Zemel Junior Conducting Fellow

Nicky Gluch is looking forward to working with the Zemel Choir as Junior Conducting Fellow after having made a big impression with us at the 2017 Lewandowsky Festival in Berlin. Nicky made her conducting debut with the Eastern Sydney Chamber Orchestra and has since gone on to conduct choral-orchestral projects of her own. Having undertaken a Masters degree, Nicky’s interests include exploring aspects of conducting in the 21st Century and this year Nicky started working on her PhD. 

Recent Yom Hashoah Concert at JW3

Tickets available now from JW3

Tickets available now from JW3


Musical Director-Benjamin Wolf

Benjamin Wolf works as a conductor, pianist, composer, singer and academic. He is Musical Director of the Royal Free Music Society, the Zemel Choir, the Wallace Ensemble and Belsize Square Synagogue. In addition he is a regular conductor of the Quorum chamber choir. Performances with the Zemel Choir have included appearances at the new European Jewish Choral Festivals (created by the choir in 2012), Holocaust memorial services for the Mayor of London, concerts at the South Bank and St John’s Smith Square, broadcasts for the BBC’s Songs of Praise and Newsnight, and tours to Europe, Israel and the USA. Activities with the Wallace Ensemble have included performances at the Queen Elizabeth Hall and Purcell Room, while the professional choir of Belsize Square Synagogue has been featured on BBC radio and television (most recently in February 2015). Benjamin has also been involved in organising and conducting two major interfaith services at Westminster Abbey (featuring the Zemel and Belsize choirs): the ‘Service of Solemn Remembrance and Hope on the 75th Anniversary of Kristallnacht’ (2014) and a special service commemorating the liberation of Auschwitz-Birkenau (2015). Both the Zemel and Belsize choirs have also performed at the International Louis Lewandowski Festival in Berlin. Performances with the Royal Free have included large-scale oratorios such as Mendelssohn’s Elijah and a tour to Genoa in spring 2015 (to which they will return in May 2016).

As composer, he has written music for the concert hall and the stage, including works using the texts and modes of Ancient Greek, a piano concerto and a cello concerto commissioned for the 70th anniversary of Belsize Square synagogue. He has written a number of pieces for the Zemel Choir, created new instrumental works for the Chichester Festival in 2013 and 2014, and performed a revised version of his piano concerto in April 2015. As pianist, he works as both accompanist and solo recitalist, while his singing is primarily focussed on performances with his own Jewish barbershop quartet, bOYbershop, for which he has written a number of arrangements and original compositions, including comic songs The Only Jewish Cowgirl and Fifty Shades of Hay. This quartet has recently performed at the Chichester Festival and the Sacrées Journées de Strasbourg (November 2015) and released a new album entitled Bendigamos, which includes many of his arrangements. 

Following the award of a PhD in 2010, he worked as a visiting lecturer at Royal Holloway and Senior Associate Teacher at Bristol University. In 2011 he was appointed as Lecturer in Music at Regent’s University, London, where he teaches academic courses and runs the choirs of the Regent’s School of Drama, Film and Media. He has given conference papers in the UK and America, and was on the organising team for a conference at the IMR in January 2013 (focussing on music in twentieth-century Britain). He has also worked as a researcher on a Royal Holloway project investigating the use of music to accompany silent films.


Assistant Musical Director-Franklyn Gellnick 

Franklyn graduated in 1991 with First Class Honours in Music from the University of Kent at Canterbury.

Whilst teaching undergraduates at Christ Church College, Canterbury, and playing the piano in a jazz bar at weekends, he conducted doctoral research under the supervision of the celebrated Cambridge musicologist Dr Mary Berry CBE. He gained his PhD in 1998 with a thesis that challenged the theory-dominated view of the tritone in Gregorian Chant, resulting in revisions to ‘Tritone’ and ‘Cistercian Monks’ in The New Grove Dictionary of Music and Musicians.

In 1999 Franklyn was appointed examiner to the Associated Board of the Royal Schools of Music. For eighteen years he served on the jazz and classical panels, and remains a theory examiner. He worked as a syllabus consultant and conference presenter, and in 2010 was selected to train examiners. In addition to UK examining, he undertook numerous overseas tours of Hong Kong (as team leader), Singapore, Malaysia, Australia, New Zealand and Cyprus. Among his publications are Moody Prawn Blues, for Grade 3 Piano, and an arrangement of Choson Kale Mazel Tov, for Grade 4 Clarinet.
He has also adjudicated at several school and county music festivals in the UK, and in New Zealand.

Since the age of fifteen, Franklyn has accompanied synagogue services and directed choirs - principally at Finchley Progressive and Hendon Reform - and, more recently, has played at various churches and crematoria across London. In 2015 he played the organ in the film adaptation of Stephen Fry’s The Hippopotamus.

He has also been engaged as a bass player, with stints at the Wimbledon Theatre, the occasional recording session, and several years in a function band.

To date, Franklyn has accompanied Zemel on tours to Israel, Russia, Germany, Ukraine and Italy.


Nicky Gluch is pleased to be able to combine her passions for writing and music. In 2015, she left the world of science behind to embark on postgraduate studies at the Sydney Conservatorium. Nicky studied the baroque flute with Megan Lang and Neal Peres da Costa, attaining a Graduate Diploma. That same year, she joined Fine Music 102.5 initially as a presenter later, additionally, as a feature writer for the magazine. 

Nicky began conducting studies with Julia de Plater and was soon assisting the Eastern Sydney Chamber Choir. She made her debut with the Eastern Sydney Chamber Orchestra and has since gone on to conduct the UNSW Medical Orchestra. In 2016, Nicky assisted de Plater on a production of the Bartered Bride with Rockdale Opera Company. She has also attended workshops with Colin Metters, Luke Dollman and Larry Rachleff, resulting in two choral-orchestral projects of her own. 

In 2016-17, Nicky undertook Masters studies with Alan Maddox. Her thesis (under examination) is titled ‘Reconfiguring the Maestro’ and explores aspects of conducting in the 21st Century. In 2018, Nicky hopes to continue this research towards a PhD. She is looking forward to working with the Zemel Choir after feeling so welcomed on the Berlin tour!