Next Concert + Workshop

On the day of our next concert in Maidenhead, Sunday 4th March, we are offering a free Jewish Music Workshop for concert ticket holders led by Musical Director Benjamin Wolf from 5.00pm to 6.00pm. If you cant make the concert there is a charge of £6. The workshop will take place at the Courtyard Theatre, Norden Farm Centre for the Arts, Altwood Road, Maidenhead.

Please e-mail marketing@zemelchoir.org to let us know that you are coming to the workshop.

Lewandowski Festival

The Zemel choir represented the UK at this festival

Celebrate With Song CD
The Zemel Choir: Celebrate With Song
Robert Brody

Yom Zeh L’Yisroel-Zemel Choir with Tenor Soloist Robert Brody, Conducted by Benjamin Wolf.- (arr. Jacobson) 

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Welcome to Zemel Choir’s “new” subscription service

If you are interested in keeping up to date with the Zemel Choir, but don’t always have the time to look at our website, why not subscribe to news updates. Whenever we post anything new, say about a forthcoming concert, you will receive information about this in your e-mail. You can of course unsubscribe at any time.

 

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Monday
Feb062012

Louis Lewandowski Festival in Berlin by David Martin 

As a member of the Zemel Choir I took part in the first Louis Lewandowski Choir Festival in Berlin, on 16th-18th December.

You will all know many of Lewandowski’s settings of so many parts of the Shabbat and High Holyday services, from Ma Tovu to Adon Olam.  He was a prolific fellow. For those not familiar with him, here is a very brief history…

Louis Lewandowski was a German composer of synagogal music and is affectionately dubbed  “The father of Jewish music.”

He was born in 1821 in Wreschen, Prussia which is now Wrzesnia in Poland. At the age of twelve he went to Berlin to study piano and voice and became solo soprano in the synagogue. Afterwards he attended the school of composition for three years at the Berlin Academy. After graduating with high honours, in 1840 he was appointed choirmaster of the Berlin Synagogue. In 1866 he received the title of “Royal Musical Director.” Shortly afterward, he was appointed choirmaster in the Neue Synagogue, Berlin for which he composed the entire musical service.

He died in Berlin in 1894 and he and his wife Helene are buried in the Weißensee Cemetery. On their gravestone is inscribed;  “Liebe macht das Lied unsterblich!” (Love makes the melody immortal!)

We were extremely honoured to be invited to represent the UK along with choirs from Strasbourg, Johannesburg, Jerusalem, Zurich, Toronto, Boston and Berlin, in an event sponsored by the German government along with many local businesses.

Apart from our air fares, the costs of absolutely everything was covered,  including four nights’ accommodation in the beautiful Ellington Hotel (named after Duke Ellington who frequented the place) right in the centre of Berlin. The Zemel and the Berlin choirs were in this hotel and the other six choirs were in the Crowne Plaza Hotel which was a hundred yards further up the street.

I suppose a location to compare these to in London would have been The Cumberland Hotel as we were just round the corner from Berlin’s equivalent of Oxford Street. All meals were provided and on the days when there weren’t planned activities, we were even supplied with packed lunches.

We were met at the airport when we arrived Thursday lunchtime and taken by coach to the hotel. We had the afternoon to settle in and explore the immediate vicinity…beautiful stores including the hundred year old “KaDeWe” which is similar to Harrods, boasting seven floors and 60,000 sq feet of luxurious goods.

That evening there was a reception at the Crowne Plaza for all the choirs. This was a huge undertaking, a bit like a monster sized kiddush but with cooked food as well.  There were around four hundred people there including the organisers of the event.

A welcome address, followed by the first taste of something we were going to hear over the next few days; eight choirs from four continents…three hundred choristers singing Lewandowski’s “Ma Tovu”.  It was extremely noisy and unsophisticated at that stage as everyone was trying to sing louder than their neighbour.  I compared it to chucking out time at a kosher pub where everyone had been hitting the Palwin’s No.10 a little too heavily, but what a sound.  It was just amazing!

At 9.00 (exactly!) the next morning, coaches took us on a guided tour of Berlin. It is a fabulous city which really seems to be going out of its way to welcome and encourage Jews to move back there. The wonderful thing to behold was that there were huge posters advertising the Lewandowski Festival all over the city. As you can see, the logo was a teddy bear wearing a kippah and tallit.

The tour covered so many fascinating sights, Check Point Charlie, Brandenberg Gate…far too many to describe here but I can certainly recommend a visit.

The coaches then took all eight choirs to the Weißensee Cemetery. This is the largest Jewish cemetery in Germany with a staggering 112,000 graves. The guide warned us not to go exploring because we would definitely get lost.

As one enters, there is a holocaust memorial with a circle of commemorative stones representing each of the death camps, under which some earth from each camp has been placed. 

The weather that day was absolutely fitting.  It was very cold, windy and wet.

We all gathered around the central memorial and sang “Ani Ma’amin” and then recited Kaddish. It was a most moving experience

We then moved on to the grave of Lewis Lewandowski where we, some forty members of the Zemel Choir sang his version of Psalm 116, “Shuvi Nafshi”.  It was actually rather a difficult thing to do as I was somewhat choked, standing by the grave of the actual composer singing one of his most beautiful melodies.

We wondered what he would have thought.  Possibly, “give it a rest folks.”

Who knows?

That afternoon, everyone went to the Pestalozzistraße Synagogue where we had the official opening of the festival. This was followed by the erev Shabbat service led by the chazan and the Berlin choir…I must admit, it did go on a bit!  The service lasted nearly an hour and a half and included a sermon (in German only) which was a bit pointless as the majority of the congregation were non German speakers but hey, it was their synagogue!  I did, however, manage to glean that it was generally about all nations and religions living in peace and harmony.

The next day, being Shabbat was free.  There were reform and orthodox services which we could attend.  I must admit that, because I’m normally in shul every Shabbat, I decided to award myself a morning off. There is a slight irony here, in that I toured the Christmas market!  What an amazing array of gifts… and sausages and sausages and, well, you get the picture.   I had previously thought it a myth, mit the sausages and the sauerkraut, but I kid you not, there were BBQ’d, pickled, fried, boiled, curried.  I had no idea what they were made of  but as I don’t eat porky type things I opted for the safe bet and ended up in KFC where I knew what I was getting!

At 6.30 (exactly!) that evening, there were eight individual concerts staged at eight different venues around Berlin by eight Jewish choirs from around the world.  Our concert manager asked the festival concert manager why he had arranged for all of these concerts to start at the same time, as we would have liked to attend one or two of the others. His reply was that it was arranged this way on purpose so as to give a bold statement:  “We’re back!”  His words were actually rather more graphic but this is family reading.

The Zemel’s concert was at the Martin Luther Memorial church, a fascinating venue.  It was originally a Nazi church and there are reminders of this fact all over it. The fabulous organ was used at the 1935 Nuremberg rally and later shipped to Berlin.  There was a movement in favour of demolishing the church after the war because of its Nazi links but it was decided that, because of the fabulous architecture it should be saved.  Swastikas (now illegal in Germany) were removed as were many of the friezes.  There are, however, still some reminders, like the head of a German soldier depicted in one of these.

Our performance was extremely well received by an audience which was, I would say, half Jewish and half Christian.  We actually had a standing ovation; a first as far as I can remember!

We were told that there would be a surprise after the concerts. This was a closely guarded secret not even known by any of the choirs’ concert managers. 

At 9.00pm all the choirs converged on the Fernsehturm Tower, a similar building to our Telecom Tower in that it has a revolving restaurant (theirs is still operational, unlike ours, alas) which performs one revolution in every 30 minutes. At 368 metres it is the tallest structure in Germany. The festival organisers had taken the building for the evening and we were once again treated to a great meal with fabulous views of the city. 

The next morning (Sunday) there was a selection of eight lectures which were available to all.  To be honest, I had seen the subjects in advance and decided that my best choice was to hit the KaDeWe store, so I opted out.  I do admit to not being particularly high brow. Those who did attend lectures said they were fascinating but I’m afraid I will just have to live with the loss!

Well, it had finally arrived…THE concert!

The culmination of the whole event was the massed concert at the 1200 seat Rykestraße Synagogue.  Completely refurbished just about two years ago, it is fabulous.  There was a fifteen minute rehearsal slot for each choir and then a massed rehearsal for the three hundred strong multi-national choir.

The capacity concert started with Lewandowski’s “Ma Tovu” and the sound of the singing in that beautiful synagogue with great acoustics was a million miles away from that rabble singing at the welcome dinner!

What a sound we made!  Once again, it was difficult to sing because I was so choked with the emotion of the whole thing.

After that rousing start, each of the eight choirs sang two pieces.  We sang Lewandowski’s “L’Adonai Ha’arets” and “Lecha Dodi”.  Although, in no way was this supposed to happen, it actually seemed like a competition!  It has to be said that the Zemel Choir compared very favourably with many of the others and we were the only choir to receive “whoops and shouts” when we were finished.

The concert concluded with the massed choir singing “Adon Olam” and rapturous applause echoed round the building.  As if we hadn’t been looked after enough, there was yet another reception in the synagogue for all four hundred choristers, organisers and “noch schleppers” involved.

We flew home the next morning with a promise that this would be the start of an annual event.

I for one, sincerely hope that I can repeat the experience.

Friday
Dec302011

Zemel Sing Jewish Music in Berlin's Nazi Church during Lewandowski Festival

Friday
Dec232011

Our Next Concert-Jewish Music from around the Globe

To purchase tickets online from the Box Office, please click here

OUR NEXT CONCERT IS ON 4th MARCH 2012

An entertaining evening of Jewish choral music from around the world. Our wide-ranging repertoire will embrace music from the synagogue, concert hall, theatre and folksong.  Conducted by Musical Director Benjamin Wolf the choir will be joined by tenor soloist Cantor Robert Brody.

MAIDENHEAD
PRE-CONCERT JEWISH MUSIC SINGING WORKSHOP
 
Benjamin Wolf, the Zemel Choir’s Musical Director will be leading a Jewish Music Singing Workshop in Maidenhead, prior to our concert on 4 March 2012 from 5.00pm to 6.00pm at the Norden Farm Centre for the Arts.
 
The workshop will be free to anyone with a concert ticket. A charge of £6 will be made if you cannot attend the concert.
 
It is hoped that workshop participants will be able to  join with the Zemel Choir and sing at the concert.

 

 

 

 

 

 

 

 

 

 

 

 

 

Monday
Oct102011

13th November-Our Next Concert- Commemoration and Celebration

Are you interested in the history of cinema? Do you enjoy choral music? Will you join us for an evening ofhistory and reflection, celebration and joy? The High Holydays are over. Sukkot and Simchat Torah are upon us. It is time to look forward to the year to come, and to inaugurate it in musical style. Once again, the Zemel Choir returns to Belsize Square Synagogue for its annual concert, held on the weekend in which the synagogue commemorates Kristallnacht – that horrific historical event which destroyed Jewish lives and turned decent citizens into refugees. This year we will be both commemorating this event and celebrating our own history, as we mark the eightieth birthday of our founder, Dudley Cohen.

While previous years have included an element of commemoration for Kristallnacht, this year we will be devoting the first part of our concert to the commemoration of the fate of German Jews of the 1930s. Unusually, we will be doing so through the medium of silent film. In the 1930s, Zionist organisations tried to persuade German Jews to leave for the land of Israel and to join in the pioneering efforts of successive waves of immigrants. They did so in part through the use of documentary films. We will be showing one such film – Hatikvah – created in 1936. The film includes scenes of Israel in the early twentieth century and urges all Jews to join in the creation of new communities and a new country. It provides a poignant reminder both of the difficulties facing the early pioneers, and also of the fate of those German Jews who did not heed its call. The film will be accompanied by both choral and instrumental music (performed by members of the Wallace Ensemble), including some music written specifically for the accompaniment of early silent film and only recently discovered in the archives of Birmingham Central Library.

While Kristallnacht and the 1930s give us cause for sorrow, it is important to remember the happier history of British Jewry since the Second World War. For members of the Zemel Choir, there can be no happier event than the choir’s own creation in 1955. The Zemel Choir came into existence when Jewish culture in Britain was only just beginning to achieve recognition. Now British Jewish culture is thriving. In part that is due to the pioneering activities of musicians such as Dudley Cohen, who has written much beautiful music for the choir and whose devotion to the cause of Jewish choral music has lasted for over fifty years. As Dudley turns eighty, we celebrate his musical life with performances of his compositions and arrangements. If the story of Jewish history is the journey from darkness to light, and the celebration of happiness in times of sorrow, it is only fitting that we should finish this Kristallnacht weekend with a celebration of Jewish culture in modern Britain. It is thanks to Dudley and others like him that such culture exists at all. Come and say thank you, and join us for an evening of history, reflection and celebration.

 

Thursday
Mar032011

Celebrate With Song 2011-A Sephardi Celebration

Are you a wannabe singer, but not sure that X-factor is quite the thing? Did you love choir at school, but found that adult life got in the way? Perhaps it is time to try something different.


If you fancy “dipping your toe in the water” by learning to sing a few pieces of music and joining the Zemel Choir in a concert, we would love to welcome you.

 

As one participant wrote after last year’s Celebrate with Song, ‘I was thrilled to bits when I found out what the programme was, and felt I had been given both the privilege and the opportunity to realise the dream of my life and take part in a choral concert.’


The music of the Sephardim has proven fascinating, beguiling and attractive to audiences throughout the world. It has inspired folk bands and composers of both choral and instrumental music, offering a glimpse into the world of Spanish Jewry many hundreds of years ago, and demonstrating the musical diversity of the Jewish diaspora. This music is the focus of the Zemel Choir’s 2011 Celebrate With Song, an event now in its fifth year and aimed at attracting new singers and new audiences to mixed-voice Jewish choral music. In previous years, we have presented workshops and concerts focussing on music from the shows, American Jewish music and music spanning the past ten centuries. This year, our repertoire will include music in Hebrew, Ladino and French, originating in countries including Italy, France, Spain, Israel, Yemen and Iraq. This year we are presenting a wider range of workshops than ever before, with separate sessions focussing on choral technique and vocal technique and an introduction to the history of Sephardi music. As in previous years, workshop participants will also perform in a public concert alongside the Zemel Choir.

Are you interested in singing? Do you enjoy the mellifluous melodies of Sephardi music? Would you like to learn more about voice technique and participating in a choir? If so, come and join us. This year’s event takes place at JFS (Kenton) on June 12th and 26th. Workshops will be led by experienced professional coaches, including the Zemel Choir’s Musical Director, Benjamin Wolf, Michael Cayton (a favourite with Celebrate With Song audiences) and Gareth Roberts, a former member of the BBC Singers and the chorus of the Royal Opera House.  Come and Sing!